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Prominent is "Seven Drunken Nights," an uproarious description of a drunken husband who stumbles home each of seven nights to find more and more evidence of his wife's extramarital adventures. The song once led the bishop of Cork to attempt to ban the group from his see. Yet, rollicking accounts of alcohol and adultery are not the Dubliners' only concerns. They also offer up songs of Ireland's long struggle for independence. Both "Croppy Boy" and "The Rising of the Moon," for example, are serious, tuneful reflections upon the failed Wexford rebellion of 1798. During their forty-year span, the Dubliners have excited audiences with their blazing brand of Irish folk. They've also blazed a path for many other Irish performers, such as the Pogues, with whom they hit number one in 1987 with "The Irish Rover." In all that time the Dubliners have been uncompromisingly and unflinchingly faithful to a fiercely independent musical vision that's all their own. Scott Hoffman [buy it] For fans of: the Chieftains and other Irish folk bands, the Pogues, U2 |